Character Coding
by Gabriella Achadinha
(width: 2048px / iPad Pro 12.9, personal device) (‘limitless’ in scrolling for UI ease)
Character Coding presents the bridge and barrier of screen-touch-obsession for a particular user (female. early 30s. instagram / youtube / reddit / tiktok / google). Located within the attachment of screen to hand as additional appendage, digital visualisations are far removed from abstract pixelation and are now, through the transitioning to additional appendage, connected through the main artery straight to the hippocampus.
Look! A screenshot of a text message received from a ‘potential client’ – share this interaction to social media.
Look! Replies, construction of identity as = feminist, #metoo movement, struggles of the gendered.
Scroll down. iPhone shots of the phallic graffitied all over a city. Same day shot at gynaecologist office. Share to Story = solidified solidarity in replies of: ‘Fuck! Hate going for this’, ‘that steel speculum is the worst (insert link) apparently a woman designed a silicone one recently?’.
Search for ‘vanilla’ porn = snake inserted into vagina, masochistic habit of reddit scrolling to purposefully ignite indignation, read world news = ‘trapped’, ‘alleged’. New code of chaos scattered across video search = jumbled sound effects, collaged spinning faces meme-ed, score composed by currently relevant social platform = genZ, adaptation, incelled tate, pronouns yelled. The server is trying to establish a connection, error of widely opposing results.
Scroll down. Agency in witnessing the link ____ 90s barbie button face scissor-scratched in retaliation to not being blue-eyed & blonde as five year old + tap-to-change facial featured filtered into current acceptance (small-nosed + massive-lipped). Green screen of omission acts as a reminder of the continuous flow of information overwhelming, faces and names and institutions will change, consistently, but there will be more and more and more for you to process.
Keep up. Scroll down. The interface is no longer clean and easily experienceable, it festers mixed-up. The pictures turn post-traumatic. The pictures turn enlightenment. Character coding gone awry, there is an imprecise assigning of said code to a document with a different default coding than its location. Mojibake (=japanese origin) is composed of: 文字 (moji) = letter / character (eng.) + 化ける (bakeru) = to appear in disguise, to take the form of, to change for the worse (eng.) === character mutation. Particular user feels like misplaced code in misplaced location. Spaghetti. Spinning without direction. Taking in too much, spending too much aimlessly. Current power apparatus defined by reoccurrence of imagery presented with, insert = influence of consumerism, a creation of desire for manipulation of gain. Non-human prone to error.
Answer – closely analyse the mutation and its infrastructures, examine the entry and exit of stimuli into reaction as sacrificial offering of time.
(width: 2048px / iPad Pro 12.9, personal device) (‘limitless’ in scrolling for UI ease)
Character Coding presents the bridge and barrier of screen-touch-obsession for a particular user (female. early 30s. instagram / youtube / reddit / tiktok / google). Located within the attachment of screen to hand as additional appendage, digital visualisations are far removed from abstract pixelation and are now, through the transitioning to additional appendage, connected through the main artery straight to the hippocampus.
Look! A screenshot of a text message received from a ‘potential client’ – share this interaction to social media.
Look! Replies, construction of identity as = feminist, #metoo movement, struggles of the gendered.
Scroll down. iPhone shots of the phallic graffitied all over a city. Same day shot at gynaecologist office. Share to Story = solidified solidarity in replies of: ‘Fuck! Hate going for this’, ‘that steel speculum is the worst (insert link) apparently a woman designed a silicone one recently?’.
Search for ‘vanilla’ porn = snake inserted into vagina, masochistic habit of reddit scrolling to purposefully ignite indignation, read world news = ‘trapped’, ‘alleged’. New code of chaos scattered across video search = jumbled sound effects, collaged spinning faces meme-ed, score composed by currently relevant social platform = genZ, adaptation, incelled tate, pronouns yelled. The server is trying to establish a connection, error of widely opposing results.
Scroll down. Agency in witnessing the link ____ 90s barbie button face scissor-scratched in retaliation to not being blue-eyed & blonde as five year old + tap-to-change facial featured filtered into current acceptance (small-nosed + massive-lipped). Green screen of omission acts as a reminder of the continuous flow of information overwhelming, faces and names and institutions will change, consistently, but there will be more and more and more for you to process.
Keep up. Scroll down. The interface is no longer clean and easily experienceable, it festers mixed-up. The pictures turn post-traumatic. The pictures turn enlightenment. Character coding gone awry, there is an imprecise assigning of said code to a document with a different default coding than its location. Mojibake (=japanese origin) is composed of: 文字 (moji) = letter / character (eng.) + 化ける (bakeru) = to appear in disguise, to take the form of, to change for the worse (eng.) === character mutation. Particular user feels like misplaced code in misplaced location. Spaghetti. Spinning without direction. Taking in too much, spending too much aimlessly. Current power apparatus defined by reoccurrence of imagery presented with, insert = influence of consumerism, a creation of desire for manipulation of gain. Non-human prone to error.
Answer – closely analyse the mutation and its infrastructures, examine the entry and exit of stimuli into reaction as sacrificial offering of time.